Sisters have been carving out their own heavy, melodic world since the release of their debut album Leecheater, a record that laid the foundation for their signature sound: raw, riff-driven rock with an unflinching honesty. Now, the duo Jason Blackmore (vocals / guitar / bass / keyboards ) and Mario Quintero (vocals / drums / guitar / keyboards), return with Wings of Deliverance, a darker, more focused follow-up that digs deeper into the darker corners of the human psyche.

Both Jason Blackmore and Mario Quintero have a wealth of experience that feeds into Sisters’ unique approach. Blackmore, a founding member of Molly McGuire, a band known for its heavy, emotionally-charged sound, brings years of songwriting experience to the table. Quintero, best known as the guitarist and vocalist for Spotlights, has contributed his technical prowess and musical vision to a band that’s been recognized for its atmospheric, heavy tones. Together, their combined experience in crafting songs for bands with distinct and powerful sounds has shaped Sisters into what it is today.

It wasn’t just time for the next album, it was time to create something more personal, more intense, and more meaningful. Blackmore had been writing the music for Wings of Deliverance even before Leecheater was released, and the moment had finally come to step back into the studio and complete the story. Wings of Deliverance isn’t simply an album, it’s a concept, a chilling narrative about the cult of personality and the horrors of Jim Jones and the Jonestown tragedy. The record explores the devastating consequences of blind faith and how easily minds can be swayed by egomaniacal leaders.

Blackmore’s fascination with cults, religion, and power structures led to this deeply personal exploration of the Jonestown Massacre. “I’ve always been intrigued by the way certain figures can captivate others, whether it’s Jim Jones, Anton LaVey, or figures like Donald Trump,” he explains. “There’s something deeply unsettling about how people can be manipulated into believing in these larger-than-life personalities.” The album’s title, Wings of Deliverance, is a nod to Jim Jones’ first church in Indianapolis, the Peoples Temple Full Gospel Church, and serves as a stark reminder of how ideology and manipulation can lead to destruction.

Recorded once again in Quintero’s Pittsburgh basement, Wings of Deliverance continues Sisters' approach of working with limitations to spark creativity. The modest but effective gear collection served the band well, allowing them to focus on what really matters: tone, performance, and songwriting. The production is raw, explosive, and as Blackmore describes, "heavy as hell,” but always with the melodic, riff-driven style that fans have come to expect from Sisters. Quintero’s role as the engineer and mix master helped shape a sound that’s not only heavy and punishing, but also vast and dynamic. "The drums are bigger and more open on this album," Quintero notes, "we wanted to capture that explosive energy while still maintaining clarity and punch."

What sets Wings of Deliverance apart from Leecheater is the thematic depth. While the debut album was a collection of songs born from a place of raw energy and experimentation, Wings is more intentional, more focused. The concept album format, exploring a single, tragic historical event, allowed the duo to create something truly cinematic. Blackmore explains that he wanted to build an album that took listeners on a journey, “Not just a bunch of songs, but a cohesive experience that tells a story. And when we started writing, it felt natural to make it a concept album about Jonestown. The story just fit.”

Side B of the album, which includes three consecutive tracks that Blackmore describes as “one massive heavy journey,” is where the record really comes to life. It’s a nod to his love of vinyl and the epic nature of classic album sides. "When I think of my favorite records, I always think about how powerful Side 2 felt. There’s just something about how an album takes you on a journey, and that’s what we wanted to recreate here."

Lyrically, the album is as stark and unflinching as the music itself. Blackmore’s writing taps into his lifelong obsession with the darker aspects of human nature, exploring how power dynamics, religion, and manipulation can fuel destructive behaviors. It’s a record that pushes boundaries, but it’s also a deeply personal one. It’s a reflection on what draws us to figures like Jim Jones, and the catastrophic consequences when people lose sight of their own agency.

The band’s approach to production and recording has always been collaborative and spontaneous. “I never send the songs to Mario ahead of time,” Blackmore says with a grin. “I just show up, and we get to work. He sets up the drums, and we dive right in.” This method has worked for them from the start, and it continues to drive their unique sound. After tracking drums, Blackmore records the guitars and bass before heading back home to write lyrics. Once all the basics are laid down, they reconvene to record the vocals and add finishing touches. It’s a method that keeps things fresh and avoids overthinking, something that has always been key to the band’s success.

As for their upcoming plans, Sisters are excited to take Wings of Deliverance on the road this fall. Expect heavy, riff-driven performances and the kind of energy that only comes from a band that knows each other inside and out. Fans of their signature sound will find plenty to love here—there’s more power, more melody, and a whole new layer of depth.

This is Sisters in their truest form, and they’re just getting started.

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